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Testimonials

Elio Severgnini

"After some trials, I have been using Old Wood 1700 on different instruments. It does not matter what varnish one uses, spirit varnish or oil varnish, to get the optimum result on the preparation of the wood. Particularly on the work well finished for the later varnish application. It causes the morphological characteristics of the wood to show up clearly, and also enhances the acoustics. The combination of these two aspects of an instrument, makes the job obvious to the eyesight and the same time, it speeds the response of the sound."

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Elio Severgnini

"Dear José María,

I wanted to congratulate you for the fantastic varnishes that you have developed and gather all the excellent qualities that must have a varnish: resisting , flexibility, transparent, beauty, etc... When I use your Imprimitura Minerale, The ground Italian Golden Ground becomes more present and luminous, but with your Doratura Minerale, all this is ensalced in a incredible way. What a show of light, colour and sound!. Must see it and ear it to believe it. It is fascinating."

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Eric Blot

"Thank you very much for the excellent product. Your new Old Wood is even better than the one before. Congratulations! I use it with success."

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Favio Volta

"I have been using 1700 Italian Golden Ground since I tried it the first time, five years ago. I am very happy with the results. I have not stopped using it, even after changing my way of varnishing. It is for any kind of varnish, oil varnish, spirit varnish, or mixing varnish. I have never found another product to compare to the 1700."

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Giorgio Grisales

"Since 1999 I have been using Old Wood for my instruments, after trying a lot of different kinds of wood treatment products. Only Old Wood 1700 allows me to clearly show off the quality of the wood and I obtain chromatic variations that let me create a homogeneous and transparent background color that is perfect for the later application of transparent oil or spirit varnish."

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Lucca Maria Gallo

"I use Old Wood 1700, since I first discovered it. I have always achieved the very best results in my instruments. It has added light even to wood that is not particularly beautiful. I believe that this is the product that all violin makers have been waiting for and I cordially recommend it. It makes life easier."

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Luiz B. Bellini

"Dear José María Lozano: I thank you for having dedicated yourself in developing your Old Wood products, specifically the 1700 Italian Golden Ground. I use it on my violins, with very good results. Congratulations!"

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Marc de Sterke

"I have been working with the old wood 1700 products of Mr Lozano and I can vouch for the excellent quality that he offers. The oil varnish applies easily and has a very beautiful depth and a wonderful consistency. It dries and polishes well and remains supple, The sheer beauty of the Brescia brown varnish (if put on a good ground) impressed me . The grounding is also of a very high quality and makes the wood sparkle underneath the varnish. All in all a highly recommendable range of products. It is rare to meet a person with such an in depth knowledge of varnishes. Bravo Mr.Lozano!"

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Michele Dobner

"The flame's depth, the light that the wood receives and the winter rings of the spruce of my instruments, are shown up clearly, very similar to the classical Cremonese of the 1700s. Thank you, Old Wood!"

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Primo Pistoni

"I write to congratulate you sincerely because your product (1700) for preparing the wood is exceptional. I have done different trials of gelatin isolate for more than a year. Each test has shown that me that colour attained by the wood is very natural (I use only sunlight). The instruments acquire a beautiful cinnamon color and the result of varnishing improves. Bravo! I am very thankful to you.

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Sergio Scaramelli

"Dear José, With this letter I want to thak you that, since I use your products, the sound of my basses has improved a lot. The varnishes has an excellent quality, elasticity a beauty. Thank you.

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Marc de Sterke

"To all violinmaker colleagues

re: new pigments in oil.

JM Lozano's pigments in oil allow one to achieve wonderful results easily without grinding. The 12 splendid colours (from venetian red, or alizarin to golden oak to walnut brown are interchangeable and mix with any of his or any oil varnish. Personally I was amazed how easily I could achieve any colour combination with such intensity and transparency.

This wonderful addition is highly recommendable for anyone who works with oil varnishes. Bravo JM Lozano!"

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